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 thisisalsiit.com!!!!!!!????????????????

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amyconell
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20091107
Postthisisalsiit.com!!!!!!!????????????????

it redirected us to
1. MJHD.
2.Sony (Take note that Amy had stepdown as a MJHD admin and a GUY had step up to be the admin.)
3. 2012 site.
4. V for Vendetta (Thriller)
5. End Of Game.

and now
The Final Curtain
May, 2000, New York, New York

Are you prepared for the inevitable?
How do you want to be remembered?
What can you do about it?
The Final Curtain was a satirical concept that depicted the death care industry in an over-the-top and humorous way, hoping to provoking individuals to think about their feelings about life, death and burial in a new light -- before it's personally too late.
To Joey Skaggs, the death care industry is a giant corporate scam, exquisitely successful at commercializing death. Pre-need insurance, embalming services, open coffins, headstones, ground space, religious sanctity, and ancillary products are merchandized to con people into spending money under the premise that this is the right thing to do.
Using calculated public relations and marketing tactics, death care providers have elevated spiritual reverence in the funeral parlor to a high art. Their ploy is to appear to pay appropriate tribute to the dead, making a good show for the mourners. Ultimately, it's a waste of space and resources, and a burden to the natural environment at the financial and emotional expense of their clients.

In 1998, Skaggs put together an international team of volunteer writers, artists, and designers to create
The Final Curtain , a Web site purporting to represent a voracious real estate development company, featuring a Disney-like memorial theme park and mall which included a traveling time share program for the deceased.
The Final Curtain catered to creative individuals (visual artists, poets, performers, etc.) who wanted to construct their own iconoclastic, irreverent, and/or humorous monuments, mausoleums, and urns.
Planned to be franchised in major metropolitan cities around the world and open to the public, the parks would be a haven for those who wished to be free of the shackles of the current death-care industry's morbid grip on life's passing.
The Final Curtain memorial theme park concept was so outrageous, yet so plausible, that it was widely reported in newspapers, magazines, on television, radio, and on the Internet. It was immediately accepted by the public as a reality without question. People both embraced and attacked it.
Venture capitalists expressed interest in investing. A corporation threatened legal action for trademark infringement. The States of Colorado and New Jersey threatened investigation into the illegal sales of securities on the Internet. Television and Hollywood movies were proposed. And artists submitted burial concepts hoping to be selected by the company for a free grave site.
Joey Skaggs perpetuated the virtual burial business by setting up a bogus office with a telephone and an answering machine and responding to the barrage of requests for interviews. The fact that he played all the parts of the company's executives, i.e., Michael Varley, Managing Director; Stuart MacLelland, Marketing Director; and Paul Corey, Associate Marketing Director, during interviews, never crossed a single journalist's mind.
When he talked about the artist-designed adventure rides such as the "roller coaster of life and death," or the interactive playgrounds where children could frolic on artists' gravesites, or the shops that sold mausoleum replica key chains and coffee mugs, they all bought it.
Funeral directors who contacted the Final Curtain were all for it. They oozed delight that at last big investment money was helping to merge the death care industry into the entertainment world.
Skaggs always leaves clues in his performances. In this case, his own monument, mounted in the Monument Gallery, under the name of Joseph Sullivan, was a screen animation of Skaggs morphing from flesh to bone, with a worm crawling in one eye and out of his mouth.
Documentation (An expanded list of news coverage can be found in the Company section of
The Final Curtain )
Hook:

Final Curtain Press Release, Page 1
Final Curtain Press Release, Page 2
2nd Final Curtain Press Release, Page 1
2nd Final Curtain Press Release, Page 2
Line:

LA Times, October 11, 1999
Letter from Uncle Milton's Ant Farm Attorney, October 13, 1999
Landscape Architecture Magazine Cover, January, 2000
Landscape Architecture Article, January 2000
The Post & Courier, October 24, 1999, Page 1
The Post & Courier, October 24, 1999, Page 2
Yahoo Internet Life Magazine Cover, February 2000
Yahoo Internet Life Magazine Article, February 2000
Eye Magazine Cover, January/February 2000
Eye Magazine Article, January/February 2000
Mother Jones Magazine Direct Mail Promotion, April 2000
Mother Jones Magazine Article, April 2000
Washington Times, December 13, 1999
Boston Herald, October 17, 1999
New York Daily News, May 14, 2000
Daily Telegraph, UK, December 8, 1999, Page 1
Daily Telegraph, UK, December 8, 1999, Page 2
The Scottsman, UK, January 7, 2000, Page 1
The Scottsman, UK, January 7, 2000, Page 2
Letter from State of Colorado Division of Securities, December 3, 1999, Page 1
Letter from State of Colorado Division of Securities, December 3, 1999, Page 2
Letter from State of New Jersey, Department of Law and Public Safety, December 28, 1999, Page 1
Letter from State of New Jersey, Department of Law and Public Safety, December 28, 1999, Page 2
Response to State of New Jersey, Department of Law and Public Safety, January 11, 2000 The same response went to the State of Colorado
Sinker:

Final Curtain Expose Press Release, Page 1
Final Curtain Expose Press Release, Page 2
Final Curtain Expose Press Release, Page 3
Final Curtain Expose Press Release, Page 4
Wired.com, May 19, 2000
Seattle Weekly, May 24, 2000
LA Weekly, May 24, 2000
Salon.com, May 31, 2000




©️ 2000 Joey Skaggs

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thisisalsiit.com!!!!!!!???????????????? :: Comments

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Wed Dec 02, 2009 11:24 pm by amyconell
While thinking about George, don't forget about Douglas Rushkoff. http://en.wikipedia.org/wiki/Douglas_Rushkoff


Douglas Rushkoff




Douglas RushkoffBornOccupationAlma mater
18 February 1961
American media theorist, writer, columnist, lecturer graphic novelist, documentarian
Princeton University
California Institute of the Arts
Influences[show]






Marshall McLuhan, Neil Postman

Official website
Douglas Rushkoff (born 18 February 1961) is an American media theorist, writer, columnist, lecturer, graphic novelist and documentarian. He is best known for his association with the early cyberpunk culture, and his advocacy of open source solutions to societal problems.
Rushkoff is most frequently regarded as a media theorist, and known for coining terms and concepts including viral media (or media virus), digital native, and social currency.
He has written ten books on media, technology, and culture. He wrote the first syndicated column on cyberculture for The New York Times Syndicate, as well as regular columns for The Guardian of London,[1] Arthur,[2] Discover,[3] and the online magazines Daily Beast[4] and TheFeature.com.
Rushkoff currently teaches in the Media Studies department at The New School University in Manhattan.[5] He has previously lectured at New York University’s ITP and founded that program’s Narrative Lab.[6] He also has taught online for the MaybeLogic Academy. [7]
Biography


Background


Rushkoff graduated from Princeton University in 1983.[8] He moved to Los Angeles and completed a Master of Fine Arts in Directing from the California Institute of the Arts.[9] Later he took up a post-graduate fellowship from the American Film Institute.[10] He is currently a PhD candidate at Utrecht University's New Media Program, writing a dissertation on new media literacies. [11]
Rushkoff emerged in the early 1990s as active member of the cyberpunk movement, developing friendships and collaborations with people including Timothy Leary, RU Sirius, Paul Krassner, Robert Anton Wilson, Ralph Abraham, Terence McKenna, Genesis P-Orridge, Richard Metzger, Grant Morrison, Mark Pesce, Erik Davis, and other writers, artists and philosophers interested in the intersection of technology, society and culture. [12][13][14]
As his books became more accepted (his first book on cyberculture, Cyberia, was canceled by its original publisher, Bantam, in 1992 because editors feared the Internet would be "over" by the original scheduled publication date in Fall 1993 - it was eventually published in 1994 [15]), and his concepts of the "media virus"[16] and "social contagion" became mainstream ideas, Rushkoff was invited to deliver commentaries on National Public Radio's All Things Considered,[17] and to make documentaries for the PBS series Frontline.[18]
Rushkoff was awarded the Marshall McLuhan Award by the Media Ecology Association for his book Coercion, and then invited to become a member and eventually sit on the board of directors of that organization.[19] This allied him both in spirit and affiliation with the Media Ecologists, a continuation of what is known as the Toronto School of media theorists including Marshall McLuhan, Walter Ong, and Neil Postman.
As a result, Rushkoff was invited to participate in government and industry as a consultant - which usually consisted of a single lecture or appearance, and led to much consternation among his readership. His associations ranged from the United Nations Commission on World Culture and the US Department of State to Sony Corporation and TCI.
Simultaneously, Rushkoff continued to develop his relationship with counterculture figures, collaborating with Genesis P-Orridge as a keyboardist for Psychic TV, and credited with composing music for the album Hell is Invisible Heaven is Her/e.[20] Rushkoff taught classes in media theory and in media subversion for the New York University's Interactive Telecommunications Program,[21] participated in activist pranks with the Yes Men [22] and eToy,[23] contributed to numerous books and documentaries on psychedelics, and spoke or appeared at many events sponsored by counterculture publisher Disinformation.[24]
Influences


References to media ecologist and Toronto School of Communication founder Marshall McLuhan appear throughout Rushkoff’s work as a focus on media over content, the effects of media on popular culture and the level at which people participate when consuming media.[25] Rushkoff’s colleagues in The Toronto School include Neil Postman and Lance Strate. Rushkoff worked with both Robert Anton Wilson [26] and Timothy Leary on developing philosophical systems to explain consciousness, its interaction with technology, and social evolution of the human species, and references both consistently in his work. Leary, along with John Barlow and Terrence McKenna characterized the mid-90s as techno-utopian, and saw the rapid acceleration of culture, emerging media and the unchecked advancement of technology as completely positive.[27] Rushkoff's own unbridled enthusiasm for cyberculture was tempered by the dotcom boom, when the non-profit character of the Internet was rapidly overtaken by corporations and venture capital. Rushkoff often cites two events in particular - the day Netscape became a public company in 1995,[28] and the day AOL bought TimeWarner in 2000 [1] - as pivotal moments in his understanding of the forces at work in the evolution of new media. He spent several years exploring Judaism as a primer for media literacy, going so far as to publish a book inviting Jews to restore the religion to its "open source" roots.[29] He founded a movement for progressive Judaism called Reboot, but subsequently left when he felt its funders had become more concerned with marketing and publicity of Judaism than its actual improvement and evolution.[25] Disillusioned by the failure of the open source model to challenge entrenched and institutional hierarchies from religion to finance, he became a colleague of Mark Crispin Miller and Naomi Klein, appearing with them at Smith College [30] as well as in numerous documentaries decrying the corporatization of public space and consciousness.[31] He has dedicated himself most recently to the issues of media literacy,[32] participatory government, and the development of local and complementary currencies.[33] He wrote a book and film called Life Inc.,[34] which trace the development of corporatism and centralized currency from the Renaissance to today, and hosts a radio show called MediaSquat on WFMU, concerned with reclaiming commerce and culture from corporate domination. [35]
Awards and appointments


Douglas Rushkoff serves on the Board of Directors of the Media Ecology Association,[36] The Center for Cognitive Liberty and Ethics,[37] and is a founding member of Technorealism,[38] as well as of the Advisory Board of The National Association for Media Literacy Education,[32] MeetUp.com [39] and HyperWords [40]
He is the winner of the first Neil Postman Award for Career Achievement in Public Intellectual Activity, in 2004. [41]
Themes


General


Douglas Rushkoff’s philosophy developed from a techno-utopian view of new media to a more nuanced critique of cyberculture discourse and the impact of media on society. Viewing everything except for intention as media, he frequently explores the themes of how to make media interactive, how to help people (especially children) effectively analyze and question the media they consume, as well as how to cultivate intention and agency. He has theorized on such media as religion, culture, politics and money.
[edit] Technology and cyberculture


Up to the late-90s, Douglas Rushkoff’s philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary. [42]
In Cyberia, Rushkoff captures the essence of mid-90s culture as being the fusion of rave psychedelia, chaos theory and early computer networks. The promise of the resulting “counter culture” was that media would change form being passive to active, that we would embrace the social over content, and that empowers the masses to create and react. [43]
This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of Media Virus: Hidden Agendas in Popular Culture. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening.[44] Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional “top-down” media, to connect diverse groups and to promote the sharing of information. [45]
Rushkoff does not limit his writings to the effect of technology on adults, and in Playing the Future turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion.[46] These “screenagers”, a term originated by Rushkoff,[47] have the chance to mediate the changing landscape more effectively than digital immigrants.
With Coercion (1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to “read” the media they consume and interpret what is really being communicated.
Religion


Nothing Sacred explores the medium of religion and intellectually deconstructs the Bible and the ways that religion fails to provide true connectivity and transformative experiences.[48] The book mainly wants readers to reflect on why things are a certain way and not attribute them to some predestined reality.
Currency


Most recently, Douglas Rushkoff has turned his critical lens to the medium of currency. One of the most important concepts that he coins and develops is the notion of social currency, or the degree to which certain content and media can facilitate and/or promote relationships and interactions between members of a community. Rushkoff mentions jokes, scandals, blogs, ambience, i.e. anything that would engender "water cooler" talk, as social currency.
In his latest book, Life, Inc., Rushkoff takes a look at physical currency and the history of corporatism. Beginning with an overview of how money has been gradually centralized throughout time, and pondering the reasons and consequences of such a fact, he goes on to demonstrate how our society has become defined by and controlled by corporate culture. [49]
Bibliography


Books



Fiction works



Graphic Novels



Documentaries



  • 2009 - 2010 Digital Nation, Life on the Virtual Frontier. Web site and documentary
  • 2004 The Persuaders. This documentary examines the psychological techniques behind popular marketing and advertising trends, determines how these methods influence how we view ourselves and desires, and postulates on the future implications of these persuasive approaches at work.
  • 2001 Merchants of Cool, a groundbreaking, award-winning Frontline documentary which explores the people, marketing techniques and ideologies behind popular culture for teenagers. This video attempts to answer whether or not teen popular culture is reflective of its population or manufactured by big business and related groups.
  • 2009 Life Inc. The Movie

Radio



  • The Media Squat (creator and host): freeform, bottom-up, open source WFMU radio which examines similarly open source, bottom-up solutions to some of the problems engendered by our relentlessly top-down society.
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Thu Dec 03, 2009 9:00 am by Admin
George Magazine
George was a glossy politics-as-lifestyle monthly magazine co-founded by John F. Kennedy, Jr. and Michael J. Berman with publisher Hachette Filipacchi Media U.S. in New York City in September, 1995. Its tagline was "Not Just Politics as Usual." It was published 1995-2001.

For the debut issue, creative director Matt Berman conceived a cover which received a great deal of attention for its image of Cindy Crawford dressed as George Washington photographed by the legendary Herb Ritts.

George departed from the format of traditional political publications, whose audience primarily comprised people in or around the political world. The general template for George was similar to magazines such as Esquire or Vanity Fair. The consistent underlying theme was to marry the themes of celebrity and media with the subject of politics in such a way that the general public would find political news and discourse about politics more interesting to read.


When it first appeared, George attracted great interest, and for a brief period had the largest circulation of any political magazine in the nation, partly due to the celebrity status of Kennedy, but it soon began losing money. Kennedy later complained that the magazine was not taken seriously in the publishing world.

George earned infamy in the conspiracy cyberculture, when an article slated to run in the October 1998 "Conspiracy Issue" on the top conspiracy writers was killed at the last minute by George editors. Titled "Princes of Paranoia," it would have highlighted writers and websites that were popular in the field of conspiracy theory and given their work exposure to a wider audience.

After Kennedy was killed in an air crash with his wife and sister-in-law on July 16, 1999, the magazine was bought out by Hachette Filipacchi Magazines[1] and continued for over a year, with Frank Lalli as editor-in-chief. With falling advertising sales,[1] the magazine ceased publication in early 2001.[2]

Critics called George "the political magazine for people who don't understand politics," assailing it for "stripping any and all discussion of political issues from its coverage of politics." In a feature in its final issue, Spy magazine asserted that the magazine's premise was flawed; there was no real convergence of politics and celebrity lifestyles.

On October 11, 2005, Harvard University, via their Kennedy School of Government, held a panel discussion entitled "Not Just Politics as Usual," which commemorated the tenth anniversary of the magazine's launch. The panel was moderated by Tom Brokaw and featured appearances by other journalists

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 04, 2009 2:33 am by amyconell01
This is also It redirects to:
http://images.google.com/images?gbv=2&hl=en&q=George%3F&sa=N&start=170&ndsp=21

George? page 10 of the search

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 04, 2009 2:52 am by amyconell01
...and TNZ twitted :"while choosing right one don't forget about Big Brother"

Interesting note: Jermaine (and I think one of the other Jacksons) was on Big Brother UK.

TrueNewsZone

"Until the become conscious they will never rebel, and until after they have rebelled they cannot become conscious."

1984" Book Notes Summary by George Orwell
http://www.bookrags.com/notes/1984/PART2.html

"1984" watch online
http://video.google.com/videoplay?docid=-5464625623984168940#
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 04, 2009 11:04 pm by amyconell
today its redirecting to
http://revver.com/video/14470/murder-of-jfk-jr/

Murder of JFK Jr.
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 04, 2009 11:28 pm by amyconell
The Murder Of
John F. Kennedy, Jr. -


By Sherman H. Skolnick <skolnick@ameritech.net>

http://www.skolnicksreport.com





What Happened To America's Golden Boy? WHO BENEFITS?

That is a question that should be asked following a political assassination, or even when foul play is suspected.

The monopoly press, from the time of Abraham Lincoln to date, never asks THAT QUESTION. Common Americans are to be fed from a bottomless garbage can of "lone assassin", or "accident" rubbish.


John F. Kennedy, Jr., most would have to admit, was charming and articulate, and had none of the ghosts and scandals in his closet that others of his relatives seem to have had or have. If he ran for important public office, he most likely would sweep the field if not just giving every other candidate a hard time.


There are two reasons for his death, one being the main one and then, for some, an alternative. Main reason:


His family knew he planned, on August 1, 1999, to announce, that like his father, he was going to run for President. His relatives, however, warned him that the U.S. Secret Service would not and could not protect him and they did not protect his father. The head of what is now called the U.S. Secret Service, Lafayette C. Baker, was part of the plot to murder President Abraham Lincoln. ["The Lincoln Conspiracy" by Balsiger, was also a movie in the 1970s.]


The presidential guards likewise permitted an assassin to murder President James Garfield and President William McKinley. Both were anti-British, pro-American at a time when Great Britain persisted in their schemes to take back this Continent as their puppet colony [an ongoing plot from the time of the War of 1812 to now.] Further, the Secret Service allowed a plot to go forward to disable or murder in 1981 newly-elected President Ronald Reagan. A so-called "lone assassin", Hinckley, part of a family close to oil-soaked family of George Herbert Walker Bush, then Vice President, was blamed. A trial that might have brought out inconvenient facts was cut short by a purported insanity plea by the would-be "lone assassin". Two TV network reporters stated live that there were shots from another gunman, a matter never repeated on the air but never rescinded.


John F. Kennedy, Jr., made one grave mistake. He trusted the presidential campaign officials of Albert Gore, Jr. to know that JFK Jr. planned to announce on August 1, 1999, that he was going to run for President. That would have interfered with the plans of Gore as well as George W. Bush, the Texas Governor. The Gore campaign reportedly promised total secrecy, a pledge they never kept. The Elder Bush, George Herbert Walker Bush, was reportedly part of the scheme to assassinate President Kennedy. According to the book not allowed for many years to be openly sold in the U.S., "Farewell America", the oil industry wanted President Kennedy dead, dead, dead. JFK wanted the oil cartel's tax dodge, the oil depletion allowance, to be cancelled. [The book was written under the pen-name "James Hepburn" by the French CIA that infiltrated the plot. In the 1970s, I and another assassination researcher were the only ones to get copies into the U.S. Alas, I have only one copy left now.] What's that? So you did not know or believe books are suppressed in the U.S.? Too bad for you.


The latest front for the oil fraud, George W. Bush, likewise would most naturally have an interest in the demise of JFK, Jr. George W. just before the fatal plane take-off, somehow was near the New Jersey airport where JFK Jr. kept his plane without proper security. A coincidence?


After all, JFK Jr. was a captivating speaker and would have most likely swept the field of Presidential candidates. Conservatives and liberals, both could join together to support America's Golden Boy.


According to our best, long-time reliable sources, Jr.'s sister, Caroline Kennedy Schlossberg likewise warned her brother that running for President would be a death warrant. Nevertheless, she reportedly said she would support his plans. After his death, reportedly feuding with the Kennedy family, she did not go to the family get together. Her family reportedly threatens to silence her with a "Marilyn Monroe" needle, or by a psychiatrist to change her views. [Remember, Marilyn Monroe was planning to go public at a press conference with details of her sex episodes with President Kennedy and brother Bobby, Attorney General. A psychiatrist reportedly gave her the "needle".]


To understand why and how the Kennedy family financially benefits by not fighting or exposing the cabal murdering their family members, visit our website, the four part series, What Happened to America's Golden Boy. Have you forgotten the attempt in 1964 to murder Teddy Kennedy by a sabotaged plane crash? Or the frame up in 1969 at Chappaquiddick?


An alternative reason, which some accept, is that JFK Jr. was going to run, not for President but for U.S. Senator from New York. Thus interfering with the plans of what we call The Dragon Lady, Hillary Rodham Clinton.[Visit our website.] Visit, as well, various websites of the Clinton Body Count. Upwards of a hundred eyewitnesses have been "suicided", "accidented", or plain murdered, who knew too much about the criminality of the CIA couple known as Bill and Hillary. So, as an alternative, if Jr. were planning to run for U.S. Senator from New York, who benefits from his demise? Hillary. So you think that she did not know or suspect early on that her original opponent, Rudy Guiliani, was going to remove himself from the Senate race, because of cancer treatment, or marital scandal? Hillary reportedly knew that when Guiliani was Chief Federal Prosecutor in New York, he reportedly covered up plenty in the worldwide cases called the "Pizza Connection". The Rodham family reportedly are tied to Gambino crime family in Pennsylvania. Visit our website: "The Government-Criminal Connection". Hillary's original opponent, Rudy, was plenty blackmailable.


The FBI covered up the bombing of JFK Jr.'s plane. We obtained the details of the secret FBI report which was not to have been disclosed for 30 years. {Naive people heckle me claiming they cannot "find" it on the FBI's website. See: Golden Boy on our website, Part 4.] Within 48 hours of the time the FBI knew we had their secret report, they mysteriously announced, without explanation, that henceforth all public visitors would be cancelled to the Bureau's headquarters in Washington, D.C. They claimed unspecified "terrorists" were threatening them. By the way, Hillary put me and my TV show assistant, Joseph Andreuccetti, on an "enemies list" falsely labeling us as "domestic terrorists". A crooked, blackmailable federal judge in Chicago dismissed our case without legal formality against Hillary and others.


The National Transportation Safety Board, NTSB, released a report claiming the JFK Jr. plane crash was due to "pilot error". Over the years, the federal crash investigators have covered up several sabotaged plane crashes. For details on the long-time lies and frauds of the NTSB, visit our website story "Air Crashes, Black Boxes, and Unsafety Boards".


John F. Kennedy, Jr. was murdered before he could get to his planned announcement of August 1, 1999. If he lived and ran for President, he would have been 40 years old just after the 2000 Presidential election. Slightly younger than his father when he ran for President. Has the murdering of the Kennedy would-be dynasty ended with the rub-out of Jr.? We intend to post more updates on What Happened to America's Golden Boy.

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Sun Dec 06, 2009 6:52 am by Admin
today its redirecting to
Michael Jackson is NOT Dead - THIS IS ALSO IT-PT2-

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Tue Dec 08, 2009 2:09 am by amyconell
for today
http://www.google.com/search?hl=en&rlz=1W1SUNA_en&tbo=0&q=conspiracy+%22pearl+harbor%22+jfk+rfk+mlk+%22princess+di%22+911+titanic+...&aq=f&oq=&aqi

and
http://www.youtube.com/watch?v=HIwehjDPOYU



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Re: thisisalsiit.com!!!!!!!????????????????
Post on Wed Dec 09, 2009 1:48 am by Admin
http://www.biblegateway.com/passage/?search=Daniel%206:22&version=NLT

Daniel 6:22 (New Living Translation)


22 My God sent his angel to shut the lions’ mouths so that they would not hurt me, for I have been found innocent in his sight. And I have not wronged you, Your Majesty.”
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 11, 2009 8:14 am by Admin


and today

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 11, 2009 9:15 am by amyconell01
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Sat Dec 12, 2009 2:52 am by amyconell01
http://www.biblegateway.com/passage/?search=Ephesians%206:12-13&version=KJ21 and today this

Ephesians 6:12-13 (21st Century King James Version)



12For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.

13Therefore, take unto you the whole armor of God, that ye may be able to withstand in the evil day and, having done all, to stand.
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Sun Dec 13, 2009 3:15 am by Admin
todays clue

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Re: thisisalsiit.com!!!!!!!????????????????
Post on Sat Dec 19, 2009 1:38 am by amyconell
http://en.wikipedia.org/wiki/Ark_of_the_Covenant today redirecting to this wiki page

Ark of the Covenant

The Ark of the Covenant (Hebrew: אָרוֹן הָבְרִית‎ Ārōn Hāb’rīt [modern pron. Aron Habrit]; Arabic: تابوت العهدTābūt Al-ʿahd) is a vessel described in the Bible as containing the Tablets of Stone on which the Ten Commandments were inscribed, along with Aaron's rod and manna. According to the Pentateuch, the Ark was built at the command of God, in accord with Moses' prophetic vision on Mount Sinai (Exodus 25:10-16). God was said to have communicated with Moses "from between the two cherubim" on the Ark's cover (Exodus 25:22). The Ark and its sanctuary were considered "the beauty of Israel" (Lamentations 2:1). Rashi and some Midrashim suggest that there were two arks - a temporary one made by Moses himself, and a later one constructed by Bezalel.[1]
Biblical account relates that during the Israelites' exodus from Egypt, the Ark was carried by the priests some 2,000 cubits (Numbers 35:5; Joshua 4:5) in advance of the people and their army, or host (Num. 4:5-6; 10:33-36; Psalms 68:1; 132:Cool. When the Ark was borne by priests into the bed of the Jordan, water in the river separated, opening a pathway for the entire host to pass through (Josh. 3:15-16; 4:7-18). The city of Jericho was taken with no more than a shout after the Ark of Covenant was paraded for seven days around its wall by seven priests sounding seven trumpets of rams' horns (Josh. 6:4-20). When carried, the Ark was always wrapped in a veil, in tachash skins (the identity of this animal is uncertain), and a blue cloth, and was carefully concealed, even from the eyes of the Cohanims who carried it.
Over time, the accounts of the Ark have gathered a number of references in popular culture.
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Sat Dec 19, 2009 2:35 am by amyconell
Ten Commandments Commandment
I am the Lord your God
You shall have no other gods before me
You shall not make for yourself an idol
You shall not make wrongful use of the name of your God
Remember the Sabbath and keep it holy
Honor your father and mother
You shall not murder*
You shall not commit adultery
You shall not steal***
You shall not bear false witness against your neighbor
You shall not covet your neighbor's wife
You shall not covet anything that belongs to your neighbor
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Tue Dec 22, 2009 3:03 am by Admin
todays redirection

http://michaeljacksonhoaxforum.com/phpbb2/viewtopic.php?f=72&t=1924

TIAI Revealed, Part 1: Who Is Behind TIAI?
Re: thisisalsiit.com!!!!!!!????????????????
Post on Wed Dec 23, 2009 7:22 pm by jenn77
The link isn't working right now, what is it that it redirected to exacly?

I think the other forum is down...
Re: thisisalsiit.com!!!!!!!????????????????
Post on Wed Dec 23, 2009 7:50 pm by Luzgralita
Excuse me. My english is not gook enough but I can´t find any link which lead to me to those pages that you said in differents videos.
If I try to find George? at google images, this link send me to page nbr 1 and there is a George Bush´s picture, but nothing else.
What is wrong here?
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Re: thisisalsiit.com!!!!!!!????????????????
Post on Fri Dec 25, 2009 2:18 am by Admin
HI Sorry i didnt get both of you correctly abut which one r you talking about which link is not working
 

thisisalsiit.com!!!!!!!????????????????

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